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The story of Artemisia G, professional killer

Jacques Perconte — Wed, 17 Nov 2004 09:42:55 +0000

Fiction: The story of Artemisia G, professional killer trapped by twists and turns of her hysteria, victim of pictures and culture. There is only one way for her to survive: she has to find a safe path through reality. Here: reality may be the fiction. How can she understand?

1. World of books

2. Une lecture d’ArtemiÅ¡zea GuÄ™ntilleschi. L’avant.

3. Ille Nis Saan Etche Ocsha (Sczane Vlad Tepes)

4. The AL’Chadel Book of Ancient Magic Philosophy

5. Les premiers pas (au nombre de cinq)

6. Rites et initiations, le passage, le corps

7. Waiting room (ellipsis)

8. 999 Ensign of Circle. L’après.

Before.

Al-mue’ll

L’image à son envers.

Portrait d’une femme libre ?

–>

Artemisia Gentileschi changes what she can see. Sometimes I imagine that she’s only a movie character (escaped from a novel). She may have borrowed her name (Is she Artémisia Maddu Ocsha ?). There are so many things I cannot tell you : either because I still did not understood everything or because I do not know if facts are true.

Behind the code ?

Les images qui mentent.

Artémisia était une tueuse à gages, elle a passé les dix dernières années à parcourir le monde.

Cette image peut livrer sa source.

CHAPITRE PREMIER

Artémisia G. : Portrait

(Al-mue’ll)

La lime mord le métal.

« celui qui détruit – celui qui cause la destruction »

Autsin, texas, Friday the 19th of november :

I’ll speak of bodies changed in new forms.

Je te mordrai.

How could we understand what she tells us ? She presents herself through texts that relate several times of her life : the search of her parents, shady and initiatory ages for she travelled incessantly in quest of a new life or of something in what she could believe.

Language is the music with which we charm the serpents guarding another’s treasure. Language is the science of seduction.

She showed me how to become a Witch.

Artemisia tell us about pictures that made her. This assemblage of forms and texts may appear untidy but this is the only way to understand her, this is what defines her the best. It happens so many things simultaneously that it’s difficult to get just a single framework of her mental activity. It’s even worth in the code.

_ Who knows ?

Treize cent trois.

Elle se tenait debout au bord du lac. Elle regardait le bateau de Xvien revenir doucement vers la plage. C’était cet endroit de la côte, pas loin des petites îles où la forêt s’avançait dans la mer. Il n’y avait qu’eux qui vivaient là . On les avait chassé du village, elle, et son frère. […] Elle s’agenouilla doucement. Assez pour avoir les genoux qui touchent l’eau.

Les petites vagues mouillaient sa robe. Elle laissait traîner ses mains sur la surface en regardant le ciel quand son corps s’affaissa et que sa tête heurta une pierre, les bras pliants, elle se couchait, son corps trempait dans sa tache de sang.

948 828 537 + seconds -

gone since the birth of Artémisia Maddu Ocsha, known under the name of ‘Artémisia Gentileschi’

La souffrance est salutaire.[Dan Brown] Da Vinci code

Artemisia writes several books in the same time. None is accomplished today. The first is an autobiographical novel that will most probably become a bestseller. The second one, her quest, is based on translations of ancient books (the ‘Book of Chi’, XIth Ce AD and ‘Ï€ÏÎ±Î³Î¼Î±Ï„Î¹ÎºÏŒ Î±Î¯Î¼Î±’, IIIrd AD, among others). You’ll find quotations of those books here. It remains a mystery… I confess you that it’s still difficult to me to understand it too, it looks like other esoteric or mythologic books i red but nothing is really identifiable. This book talks about the mystical initiation trip of a woman who is also named Artemisia and who will have to renounce to everything she believed for accessing to a new identity. Only her faith can help her to discover what a new life could be. Artemisia is a seer who will serv a passion through sacrifice….

- De même que tout royaume divisé est bientôt défait, toute intelligence qui se divise en plusieurs études différentes s’embrouille et s’affaiblit. [léonard de vinci]

I hope you to spend a pleasant time arround here.

All those texts were written centuries appart by writers fom very different philosophical beliefs with not the same technical vocabularies and sometimes complete oposite aims…

Artemisia was born in 1969 in Santiago de chile’suburbs, serparated from her parents at the age og 6 she left american continent to Europe with the first familly where she was placed. She’ll escape three times and cross borderlines before beeing sent back to her substitute parents.

This story can be separated in two parts : the before and the after. The complexity lies in the fact that those two parts are always present.

Nitric Acid ____ Potassium Perchlorate ____ Sulfuric Acid ____ Potassium Chlorate ____ 95% Ethanol ____ Picric Acid (usually a powder) ____ Toluene ____ Ammonium Nitrate ____ Perchloric Acid ____ Powdered Magnesium

____ Hydrochloric Acid ____ Powdered Aluminum

Alchimie, perseverance, movements et prophecies,

Esse Artémisia, ille misczies talve llani opte valk trepan

Bashki noo selte opte vaan

I’ve learnt to handle weapons : the ones you know and the others that you even can imagine the existance.

Psychic reality | premise according that unconscious formations are organized as a causality strictly pshychic based on the hypothesis of the unconcious. The initial link of psychic is the fantasy, which are tied up repressed memories.

Her name is artemisia.

Almost desert highway. Grey sky, torential rain. The roard is blue. Two cars go side by side. They run very fast. A window opens. Cars go closer.

Two hours earlier, Artemisia was still at the airport, she knew that landing earlier, that waiting somewhere wouldn’t have been wise. Two hours for getting ready, renting a car and finding Frederico M. For sure she already came here, for sure she knew where to find him and particulary what was his precise planning for this november day.

—————————– -

Artémisia (fake) :

The fidelity i gave to what was teached to me would have last only my childhood time. I confide in you : i do not consider to turn myself towards what others look at . i’m trying to get rid of my memories and reuse the few traces of it to understand what really happen. I do not do that in the hope of beeing able to realy reconstruct my past but because this will be the theater of somthing new.

Two hours earlier, Artemisia was still at the airport, she was going out of the plane dressed with one of her smartest long coat. She weared high heels black boots and dark trousers.

She was going down the plane incognito, no handbag. We only see her.

Six month later, artemisia will have completly deleted this past. While i say deleted, it’s that there exist no more trace nor a person that can swear he knew her at one day.

A new artemisia ?

AEremisia Two years later :

I feel them somewhere, i know they are looking for me.

But i need some more time to find them. This is just a quetsion of time…

Pas d’espace.

De temps.

: [...] Qui ne voit pas ces forêts de cyprès

noirs plongées dans la brume des vallées de Transylvanie [...] et ces immenses

châteaux appuyant leurs remparts

et leurs tours sur les bords de

falaises à pic…

Do not put your faith in such trinkets of deceit! We are in Transylvania, and Transylvania is not England [Ni ailleurs]. Our ways are not your ways. And, to you, there shall be many strange things . [2003]

9 : self -portrait

Let’s imagine that artemisia is really the one, the chosen one…

We all know her, she’s really a great looking girl… that we can’t stop.

Her past and all the mysteries surrounding her character help artemisia to be to best person chosen for this quest.

Let’s imagine, for real this time î that there is a new prophecy. Right here. Right now. Artemsia knows she has to convince us.

She’s the one who knows.

She’s the face of a new enregy.

How can we understand a world where icons are loosing their colors ? Maybe a simple movment of her hands can change everything for us î is this magical ? i do not think so.

En 1610, en Italie, Artemisia Gentileschi a 17 ans. Son père, Orazio, peintre reconnu, lui a transmis sa passion de la peinture. Une passion interdite par ce qu’une femme n’a pas droit de suivre les cours de l’Académie…

Who is not like me ?

My sister artemisia was born in 69 near Santiago. She spent her childhood in our village. She was lovely. So lovely i do not know how to describer … I swear u : she lighted up your heart every time she smiled.

In 1996 artemisia set up in Bistrita, she’ll spend six month there before to leave for few weeks in the forests…

Paraphrénie | Je suis une force qui va. Hernani

Bivello

San Asteffe

Alligia

south america, end of the afternoon, a beach…

décor : composite

A : SMITH & WESSON TACTICAL

B : Madagascar = http://nah296.free.fr/images/plage.JPG

C : This is not south America – this is Bora Bora

D: China Beach www.securenet.net/3rdbn5th/ india35/r.htm

A la recherche d’une image de fillette – artémisia ?.

E : http://www.mmsh.univ-aix.fr/pisrsh/centmille_02.htm Fillette en algérie

–>

Artemisia is 4 years old. Her feet are in the sea. She leans forward to pick up a shell. Her hair fall on the face, she hold them with a hand and stand up again. He father, Dan karss commes to her. He kisses her.

Artemisia (off)

Mi padre, Dan Harker nacào en Allemana por los grandes bosques de Bavière. Cual aà±o ? No sé exactamente para decir la verdad, pero no es tan importante. Ha vivido en una familia bastante rica, creo que era orfelino… De cierta manera, un poco como nosotros.

Artemisia leans forward again to the sea and plunge her hand into the water.

She rummages a little longr than the first time…

She takes a remington bullet out the sea…

She closes her eyes.

La mort n’est plus symbolisée par le groupe social, seul l’imaginaire individuel prend en charge le travail de deuil, ouvrant des brèches à des dérives fantasmatiques chaotiques.

I am sure that my father was a mercenary î he fighted and killed î not for ideas î not for faith î not for me î not for my mother î for money.

I used to be like him… but :

I am not like that.

Are u ?

Tà¶ten ist eine Gestalt unseres wandernden Trauerns…

Primero tenàamos tres semanas para entrenarse como paramilitares : manejamiento de armas, de los explosivos, aprender cà³mo caer corectamente…

Les douze portes étaient douze perles; chaque porte était d’une seule perle. La place de la ville était d’or pur, comme du verre transparent.

Artemisia was here for hours.. waiting for someone to pass to shoot. Anybody. None can go across this part of the forest.

I am a sniper.

I’m am fighting to escape from my past.

I do not believe in those wars.

Everytime i tried to understand what was conducting the revolution i noticed that it was not my fight, not my ideas, not my world, not my freinds, not my religion, not my language, not my futre, nothing x 3.

But i was here.

I think of a ring.

I need one circle.

THIS is the Form of the Magic Ring, or rather Disc, of Solornon, the figure

whereof is to be inade in gold or silver. It is to be held before the face of the exorcist

to preserve him from the stinking sulphurous fumes and flaming breath of the Evil

Spirits.

A CHI

D’Artémisia Maddu Ocsha

(Palagruza) from 20/12/00 7:26

iz : 12/05/03 14:19:53 -> rev 16

Illsze calita en cia tore

N. villia et chiase en tenebr Acte et Ancien

(cf. Querelle des anciens

et des modernes) anticipation,

art,Art pour art (Théorie de l’ »art pour l’art »).

Cf. Wilde Oscar, Article, Auteur, Biographie,

Comédie, Comédien (ne), conte, Créateur,

chroniques et Drames, écrire,des Écrits,

l’Écriture, Encyclopédie (après le chaos), Énigme,

Épître, Essai (s), Expression, Fantastique, Fiction, Histoire, Imaginaire, Immortel, Langage, Lecture (s) et réalité, Légende, Lexique (3), Littérature,

â€œ4.Wanting to write on love, is facing the mess of language: this panic area where language is both not enough yet too excessive […] and poor […].â€

Livre, Lyrique, Mélodrame contemporain ? Mémoires (flash-back) (slide-return), Moderne, Muse (peinture), Mythe (origine), Mythologie (actuelle), Naturalisme (média), Poésie (illusion), Préface (preuve), Publication (mensonge), Rationalisme (distance), Récit, Roman d’anticipation, Romantisme et Science-fiction, Théâtre.

i will not surrender because of this earth which exagerate so much the importance of heaven.

the spirit of the sun …

i will not surrender because you are not fighting with me

i will not surrender because i know that reality is not just a fiction.

Moi homme des dieux et chef des miens

Je fige ces écrits qui ne sont que pour toi

Sur des pierres lisses dans leur dos

Avec mon sang noirci par l’amour

Bite me.

Eth Ckoleiv Nam

Iskero an chi visz

Viptim a Chi

A estero da ocsha

Jive eth chi

Rien ne vous dit ce qui se passe, rien ne vous laisse croire que c’est faux.

Nothing tells you what’s happening, nothing lets you thing it’s fake.

six weeks ago.

ARTEMISIA SPEEDS UP

HISTORY WILL HAVE THE LAST WORD

I’LL HAVE THE FOLLOWING ONE

she goes away.

Et voilà

Que je t’embrasse

Je veux te fendre

Je veux t’épuiser

Je veux te vider

we could believe that some histories incssantly start again

Il faudra les transpercer

i kiss you

YOU

You’ll arrive here

You’ll destroy those words

As one goes along you’ll read them

You’ll see

You’ll destroy thoses pages

As one goes you ‘ll accomplish them

You’ll know.

you are this tree

you are this book

you are this picture

you know that

Et on parle de chantage,

Je ne suis que ces mots,

je ne serais que ces mots,

vous ne serez plus que ces mots.

Le texte, le fanatisme, la foi..

l’image ne sait décidément pas se taire.

1303

WE HAD TO CHOOSE A DATE

i kiss you

will you follow me ?

NOONE IS STILL WAITING FOR THE SKY TO OPEN IN TWO PARTS.

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x-00, 7 hours live audiostream

Jacques Perconte — Mon, 27 Mar 2000 11:58:47 +0000

online events and net programation on +echnar+.ne+ for x-00. ->
16>19.03.00 | from bdx. k|| websites link available in the text. <-

k | net – || romanian fracassniev official website.
k | net – || artemisia.technart.net / opening her mind to you.
k | net + || nc4.0 promenade. 11’45 »
k | mail. || info-ouart.technart.net | no mailing list here.

hourly detailed program gmt+1

+ WHat is i + ?

Opening. diffusion. relay. exposing a programation laying out x-00 event alterning live and recorded contents. Alterning betwin different medias and various registers without total attempt at different direction than that of the reflection of an exploded production.

Between musical interference, and industrial bruitism electric passage by a walk, only alternate expressionist. **time-out** movement of thought simple pavu and nothing without loss of identity through the mass communicate interference media of content without himself ask for which technart.net pre version 3.0, before first of a transfer through the history of a practice evolve towards the questionement, of complexity with performance around facility…. It’s an online radio station on Live365.com. Just click on the link to listen.

http://www.live365.com/cgi-bin/directory.cgi?autostart=technart.

now playing
live here and now
Xperience listening to technart. x-00 broadcast event ? You must have a mp3 player. if you don’t download one and open this url :

http://166.90.143.146:8010

as a playlist. Wait for the end of the buffering time and enjoy technart s xpriences… You can direct listen to it with real player 7.0 following this url :

How to listen ?
What you need to experience it ?
Where ? Need a hourly detailed program ?
artemisia . Artemisia, c’est cette fille que je cherche à cerner, ce personnage qui prendra vie dans mon prochain film, pour l’instant elle hante mes textes et se promène dans mes rêves. Artemisia est cette incarnation d’une histoire de notre génération culturelle en une image d’une réalité supposée. Artemisia a quelque chose comme vingt ans. Elle navigue entre plusieurs univers qui s’éloignent de plus en plus de la réalité que nous connaissons. Elle se construit des systèmes de représentations qui vont lui permettre de comprendre notre monde.

promenade . promenade is a 12 minutes short film. Here here the film, the texts which accompany it, work where it will open with other modes of monstration… also you will be able to follow here its life through the festivals and projections [ note found on the official site ] .

info-ouar . information war… was created in 1997 and himself be really appear in April 1998, with more than de 450 exchange on 15 day, it be a space of Spam, deregulation informative, of fun but always representative of a ethics of work total.

MP3 BROADCAST

http://166.90.143.146:8010

stack-s . audio performance 1999. recorded and mixed at krakatoa by Marc Duvigneau. Electric and electronic guitar parts for Television explosion and pictures deconstruction. I don’t like the titanik, hear kate winslet in it.

11fl (e) . audio performance 1997. Live abstracts from performances in bordeaux during year 1997, only electric instruments and electronic deformations.

ma.nc5 . these percussion, in beginning be some blow relate with hand to some gate, some board of wood place in a large building very high of ceiling and very in concrete. This performance was used as sound track with the photo exposure of the numerical bodies version 5.0 to the gallery diagram-chezma end 1999 .

11fl (e) . Mental experiments of virtual spaces, is a series of frantic monologues jumping of imaginary languages to partially invented dialèctes telling stories of gen finding itself locked up in representations data-processing .

While passing in mp3 with 32ko for a broader possible audience, the sounds, their colors, their textures, are completely faded, certain sounds are straightforwardly transformed and deviennet of the electronic parasites, this stransformations give to the sounds a reality which is the completely different… sharp Net, it is too signal.
romanian fracassniev . Founded in 1799 the Prastà¸ssva company gathers nearly 50 musicians coming from all the regions from Romania. Romanian Fracassniev alias à˜lmar Kersvà¸mnasnià¸usky is one of largest representing culture country of its country. He only can handle the language of Loubeloz and to place it in the context of the traditionelles musics of Barà¸va This year, Romanian Fracassniev’ S band settled in Bordeaux and will traverse its repertory of songs and musical parts in several tens of concerts. In 1799, with broutchounova in Romania, Pitro Valesova melts the company, it revolutionizes the musqiue. Auijourd’ today, the company is directed and carried out by the descendants of this musician except pars: à˜lmar Kersvà¸mnasnià¸usky and his/her cousin Wally Boszoum. They decided not to be confined with the Eastern European countries and exported the company in Europe then in the States Unis, it finally returned to France in 1999 and entammé a round there. Some immigrant musicians like Jji Meynardova, moldave arrived to France in 1987 joined the rows of Romanian to be attached to this traditional culture although contemporary which they were losing. Today the company has many sucvcès, it will leave a new album ‘ Shatz Kroe’ which announces a new musical era for this beginning of sciècle. … disinformation

extraits de vide . Extarcts of vacuum, it would be an enesemble some sound recording de sons carry out with turning of voyage, some conversation,…

les yeux ouverts .It throws the printed circuit by ground and tramples violently it. It squatted and gives him blows of points. It is raised and gone towards the bathroom. It leans the head in the bath-tub and occurs from cold water on cranium. It is inserted an electronic object in the eye, it tightens it using a small screwdriver of electrician. [... ]Il himself type the head by ground, of people himself approach of him and try to it raise, it himself struggle, the striking, try to himself escape, himself tear off this thing that it himself be graft on the face and leave in run. It bleeds. A film of Jerome meynardie, scenario, music and sound design: technart. Paradoxal productions 1999.

chloe-i . this installation, simply a fixing of 24 photograph of laeticia naked, 24 time agraphée in of small pocket index and attach on of tree a Sunday evening of March 1999… A hold in place hardly 12 hour somebody A quickly take these image which seem not be with their place. .

chloe – dialogues . Chloe is one of first long measurings has to put in scene the technological numerical ones as actors of a eexplosion of the support and framework. The stake, that of the image implies an engagement on the sound, and tightens the play of the actueurs, the concept of do-it-yourself, within the meaning of do-it-yourselfing is very significant, the sacteurs make like if, and are more themselves that my characters.

petits mots . before the marguerites, instalation language for the process, with Joachim Desarmenien.. troubleshooting for the Beaux-arts Degree.
x marguerite spam art . We met, with Joachim, in the context of a study around the approach which we had on the reality of the Spam machine. We considered it like a natural model or technology does not intervene like a cultural factor in order to return to a purified approach of the object. .

adult soft thems . sound sexuality is a field of investigation well too often forsaken. Small mental sensory excursions.

pavu autoctgr .it does not have passes the urban-GNou-charter on the list copyleft and statement ke I could have left the SE caster for the occasion! [ C was prevu of long date - family meeting with fracassoreill contest! ]oko takes aspro-urs!!!! its justifies the claws!! If you want to start with Å½couter, I advise you to start by not-making it. The sign language is really significant, but much more difficult. .

pavu interview with paul D . Autoductique de Plines IARD [ Informative Arts Research and Development ] (office of design and ingeniery producing the definitions of the products and the processes of development production of Hardwares and Softwares intend has the production of Plines) interview with the ceo: Paul Dupouy, talks around the fundamental questions of the difference in the directing approach of the object informative.

these text can seem be completely import what that be not true, it of be very certainly the case for the form, since the content initial write in French have carefully automatically be interpret (with a certain degree of envisageabilité probable) and translate (with a precision close of that of a search engine de recherche) by the system Systran of Alta Vista, I you request to test to include it that you can, especially if you arrive to find the force. I you indicate nevertheless that with end of this text himself find a version French (it and forgery if you read the version French, on the other hand, it there have a text English with top, what be false if you read the version English) In the alternative of a proposal, of intervention in line, himself present a project of streaming audio spread out on two space time of eight hour each one, the programming be different on the two time, it contain a program very heterogeneous make the point on the activity musical and experimental of teak. We are not at all in the presence of creation on line, but of deterioration of creation on line, the streaming considered deteriorates the quality and the intentions first of the majority of the initial audio attempts, but the interest is to approach the support and there it is him which brings closer the informative objects to him by adapting them by these deteriorations. Just like I proceeded with the text, the musical form does one with the éthiquo-social capacities (in the direction or one considers the Net surfer as started active present within the framework from the consultation of a creation on line, and thus necessarily agent like reader). intervene with x-00 this year be enough significant for me,

I me of go épiloguer like the author of a page personal on the behavior étrangement asocial of clam, but it himself find that I pose some question as for the place of creation on line inside my practice and the answer that I me bring, although sincere be also clear for me that this text can be for you, one feel a large share of fran, chise and of probable truth, but one have some evil have all articulate and with all that which, a once that the puzzle be rebuild, a little like if I well a gate coat out of cane sitting beside a table à .vélo (excuse this bazaar, but is to make a joke with people who will read the French version, and who, in front of their total incomprehension of the preceding sentences will move towards the English version which it will comprise as many errors, and vice versa, this is naturally false for those which read the version English and vice versa, with reading in the sense that one wants; Now, I will pass to the phase thanks, phase absolutely useless, but which makes sourir people who there are generally quoted, first of all, most significant, that which lets me use my time out of the hours which would be adequate with my practices but which are already full, that which leaves me and helps me, which already encourages me since a good moment, bob;). after nevertheless thank you very much in Gerald, who even if it always does not speak the language about the men made and it ets for that that I thank it. Then, thank you Paul, lenient, and all the others which I wired for sound. thank you with those which want that I continue to make things even if they are null (I déconne). Thank you with those which like the romanian fracassniev.

ces texte pouvoir sembler complet importation ce qui cela non vrai, très certain cas pour forme, puisque content initiale écrire dans français avoir soigneux automatique interpréter (avec un certain degré envisageabilité probable) et traduire (avec un précision fin cela un Search Engine De recherche) par système Systran Alta Vista, I vous demander pour tester pour inclure que vous pouvoir, particulier si vous arriver pour trouver force. ** je vous indiquer néanmoins que avec fin ce texte lui-même trouver un version français (et contrefaçon si vous lire version français, d’ autre part, là avoir un texte anglais avec dessus, ce qui faux si vous lire version anglais) dans alternative un proposition, interposition dans ligne, lui-même actuel un projet streaming sonore écarter dehors sur deux espace temps huit heure chacun, programming différent sur deux temps, contenir un programme très hétérogène faire point sur activité musical et expérimental teck. Nous sommes pas du tout en présence de création sur la ligne, mais de la détérioration de la création sur la ligne, couler considéré détériore la qualité et les intentions d’abord de majorité des tentatives initiales d’acoustique, mais l’intérêt doit approcher le support et là il est lui ce qui lui apporte plus étroitement les objets instructifs en les adaptant par ces détériorations. juste comme je procéder avec texte, musical forme un avec éthiquo-social capacité (dans direction ou un considérer net internaute comme démarrer actif actuel dans cadre consultation un création sur ligne, et ainsi nécessaire agent comme lecteur).

intervenir avec x-00 ce année assez significatif pour, je v épiloguer comme auteur un page personnel sur comportement étrangement asocial palourde, mais lui-même trouver que je poser quelque question comme pour endroit création sur ligne à l’intérieur mon pratique et répondre que je apporter, bien que sincère aussi clair pour que ce texte pouvoir grand part fran, chise et probable vérité, mais un avoir quelque mal avoir tout articuler et avec tout cela qui, un une fois qui puzzle reconstruction, un peu comme si I puits un porte manteau hors canne reposer près un table à .vélo (excuser ce bazar, mais pour faire un plaisanterie avec personne qui lire français version, et qui, devant leur total incomprehension précédent phrase déplacer vers anglais version qui comporter autant de erreur, et vice versa, ceci normal faux pour ceux qui lire version anglais et vice versa, avec lecture dedans sens Maintenant, je passerai vers les mercis de phase, la phase absolument inutile, mais qui fait le sourir peuple qui là sont généralement cités, tout d’abord, le plus significatif, cela qui me laisse utiliser mon temps hors des heures qui seraient adéquates avec mes pratiques mais qui sont déjà pleines, que ce qui me laisse et m’aide, qui m’encourage déjà depuis un bon moment, plomb;). après que néanmoins merci infiniment en Gerald, qui même si il toujours ne parle pas le langage au sujet des hommes faits et il des ets pour cela que je le remercie. alors, merci you Paul, clément, et tout autre qui je câbler pour bruit remercier vous avec ceux qui vouloir que je continuer pour faire chose même si nul (I déconne). Merci avec ceux qui comme le fracassniev roumain.

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we don’t accept nature

Jacques Perconte — Sat, 18 Jan 1997 09:48:05 +0000

» Human beings have always had this desire for transcendence. We are essentially insatiable animals. Intrinsically, we don’t accept nature; this desire to change is innate. Technology seems to give us more power to change or at least the illusion that we can do it. There are many adventures that are inaccessible in the physical world, which could only be enjoyed in the virtual one. Computers and RV help us transcend the physical world, and therefore can be considered mind expanding. This infinite quest for expansion of the mind goes back to ancient Times and is being continued in our day through technology. The reality is that we are all living in the post industrial age and there is no way we can stop technology. We can only go beyond it by living through it. »

Lara Lee, Synthetics Pleasure

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